Another week, another broken hot water heater.
Random five, describe!

- Allman Bros - Don't Keep Me Wonderin' (live). I can appreciate the Allman Bros' talents, but on the whole they've never been able to reach the level of essential, in my estimation.
- The Sundays - I Won. This little flash-in-the-pan band, with that Smiths-y guitar sound, and that very English singer... somehow this album grabbed me, in 1990, and it has yet to grow old. Odd.
- John Mayall - Bernard Jenkins. It's just Clapton's guitar and Mayall's piano. Makes you realize that even the best rock guitar players will sound simple next to a great piano player. While Clapton is wheedling away, one or two strings at a time, Mayall is playing bass, rhythm chords, and a bit of a lead accompaniment. And when Clapton sits back on a verse, and Mayall steps it up, it's obvious that Mayall could easily handle this one on his own.
- John Coltrane - Cousin Mary (alternate take). One of my favorite Coltrane tunes. He doesn't go all sheets-of-sound on this, and the melody is nice.
- The Cure - Happy The Man. One of their early B-sides. Guessing, I'm going to say that this was recorded around the time of The Top... (looking it up... I'm right! It's a B-side to "The Caterpillar"). I've always dug this one. For The Top, Smith was almost done with the minimal gloom of the Faith era, but hadn't fully embraced the catchy pop side of the Japanese Whispers singles. So, The Top stuff feels a little unsettled, experimental, transitional. Lots of interesting stuff.
Try it yourself!