A poor fellow named Ryan Haecker, a Junior at the University of Texas, was apparently born 150 years too late. This modern world is completely out of sync with his Victorian-era views of clothing and how it relates to the assigned roles of men and women. And this disconnect causes him ... to write:

Dresses epitomize womanhood in the Western world. Such has been the case since the western man adopted pants to replace the tunic in the sixth century (an aspect of the West's Germanic barbarian heritage). Dresses allow us to differentiate between the silhouettes of men and women on restroom signs. Dresses are the indelible image of womanhood because of the symbolic nature of pants and dresses. If all fashions are symbolic, dresses in particular symbolize womanhood by more fully embodying the ideal of a true lady, the objective understanding of what men find attractive in the fairer sex: passivity, domesticity, childrearing, coital love, piety and fertility. These defining aspects of womanhood are immutable. We all tacitly reaffirm these attributes in our attempts to find a partner. Flirtation and courtship are reaffirmations of what it means to be masculine and feminine because it is only by fulfilling the obligation of our form that we can attract the opposite sex.

....

The androgynous masculinization of the modern woman, through the donning of pants, suits, uncovered shoulders and unveiled hair, has in a sense led to the slow whorification of ladyhood. In discarding feminine dress, women seem to have symbolically discarded femininity and modesty (the virtues of women) in favor of sexual virility, promiscuity and immodesty (the vices of men). The ideal form of a true lady is a constant, immutable aspect of humanity, and this strange new development can only represent a bizarre aberration of a perverse and ignoble culture. Dresses are an essential part of any true lady's attire, and they should be worn.

Got that, Mrs Cleek? No more pants for you!