{"id":23512,"date":"2016-01-16T12:01:44","date_gmt":"2016-01-16T17:01:44","guid":{"rendered":"http:\/\/ok-cleek.com\/blogs\/?p=23512"},"modified":"2016-01-15T16:13:39","modified_gmt":"2016-01-15T21:13:39","slug":"2016-favorite-records-75-50","status":"publish","type":"post","link":"https:\/\/ok-cleek.com\/blogs\/?p=23512","title":{"rendered":"2016 Favorite Records \u2013 75-50"},"content":{"rendered":"

Part two!<\/p>\n

There are a few albums this time around that are new to The List, which is nice. It's not just a reshuffling of things. I'm not dead yet.<\/p>\n\n\n
74<\/td>\n<\/td>\n\n\n\n\n\n
Pink Floyd<\/td>\n1975<\/td>\n<\/tr>\n
Wish You Were Here<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 293<\/td>\nW\/L\/T: 5 \/ 14 \/ 0<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
73<\/td>\n<\/td>\n\n\n\n\n\n
REM<\/td>\n1987<\/td>\n<\/tr>\n
Dead Letter Office<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 294<\/td>\nW\/L\/T: 6 \/ 15 \/ 1<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
72<\/td>\n<\/td>\n\n\n\n\n\n
Fleetwood Mac<\/td>\n1975<\/td>\n<\/tr>\n
Fleetwood Mac<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 298<\/td>\nW\/L\/T: 8 \/ 15 \/ 0<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
71<\/td>\n<\/td>\n\n\n\n\n\n
The Police<\/td>\n1979<\/td>\n<\/tr>\n
Reggatta De Blanc<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 300<\/td>\nW\/L\/T: 5 \/ 9 \/ 1<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
70<\/td>\n<\/td>\n\n\n\n\n\n
The Cars<\/td>\n1978<\/td>\n<\/tr>\n
The Cars<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 301<\/td>\nW\/L\/T: 7 \/ 7 \/ 0<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
69<\/td>\n<\/td>\n\n\n\n\n\n
Erykah Badu<\/td>\n2003<\/td>\n<\/tr>\n
Worldwide Underground<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 308<\/td>\nW\/L\/T: 5 \/ 8 \/ 3<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
68<\/td>\n<\/td>\n\n\n\n\n\n
Sea And Cake<\/td>\n1997<\/td>\n<\/tr>\n
The Fawn<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 308<\/td>\nW\/L\/T: 7 \/ 10 \/ 1<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
67<\/td>\n<\/td>\n\n\n\n\n\n
Robyn Hitchcock<\/td>\n2004<\/td>\n<\/tr>\n
Spooked<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 309<\/td>\nW\/L\/T: 6 \/ 7 \/ 1<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
66<\/td>\n<\/td>\n\n\n\n\n\n
Bob Dylan<\/td>\n1965<\/td>\n<\/tr>\n
Highway 61 Revisited<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 312<\/td>\nW\/L\/T: 8 \/ 8 \/ 0<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
65<\/td>\n<\/td>\n\n\n\n\n\n
The Feelies<\/td>\n1980<\/td>\n<\/tr>\n
Crazy Rhythms<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 319<\/td>\nW\/L\/T: 9 \/ 7 \/ 3<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
64<\/td>\n<\/td>\n\n\n\n\n\n
Jimi Hendrix<\/td>\n1967<\/td>\n<\/tr>\n
Are You Experienced<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 325<\/td>\nW\/L\/T: 8 \/ 11 \/ 2<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
63<\/td>\n<\/td>\n\n\n\n\n\n
Sunny Day Real Estate<\/td>\n1994<\/td>\n<\/tr>\n
Diary<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 334<\/td>\nW\/L\/T: 11 \/ 7 \/ 0<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
62<\/td>\n<\/td>\n\n\n\n\n\n
Van Halen<\/td>\n1979<\/td>\n<\/tr>\n
Van Halen<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 351<\/td>\nW\/L\/T: 6 \/ 8 \/ 1<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
61<\/td>\n<\/td>\n\n\n\n\n\n
Ahmad Jamal<\/td>\n1958<\/td>\n<\/tr>\n
At the Pershing: But Not For Me<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 356<\/td>\nW\/L\/T: 8 \/ 9 \/ 0<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
60<\/td>\n<\/td>\n\n\n\n\n\n
Sam Prekop<\/td>\n1999<\/td>\n<\/tr>\n
Sam Prekop<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 387<\/td>\nW\/L\/T: 8 \/ 7 \/ 2<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
59<\/td>\n<\/td>\n\n\n\n\n\n
The Sundays<\/td>\n1990<\/td>\n<\/tr>\n
Reading, Writing and Arithmetic<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 388<\/td>\nW\/L\/T: 9 \/ 10 \/ 1<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
58<\/td>\n<\/td>\n\n\n\n\n\n
Led Zeppelin<\/td>\n1973<\/td>\n<\/tr>\n
Houses Of The Holy<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 388<\/td>\nW\/L\/T: 11 \/ 6 \/ 0<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
57<\/td>\n<\/td>\n\n\n\n\n\n
Tortoise<\/td>\n1994<\/td>\n<\/tr>\n
Tortoise<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 390<\/td>\nW\/L\/T: 7 \/ 9 \/ 1<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
56<\/td>\n<\/td>\n\n\n\n\n\n
Slint<\/td>\n1991<\/td>\n<\/tr>\n
Spiderland<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 394<\/td>\nW\/L\/T: 10 \/ 9 \/ 1<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
55<\/td>\n<\/td>\n\n\n\n\n\n
Pixies<\/td>\n1987<\/td>\n<\/tr>\n
Come On Pilgrim<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 399<\/td>\nW\/L\/T: 6 \/ 8 \/ 1<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
54<\/td>\n<\/td>\n\n\n\n\n\n
John Mayall & The Bluesbreakers<\/td>\n2013<\/td>\n<\/tr>\n
The Mono Singles Collection (as assembled by Prof. Stoned)<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 404<\/td>\nW\/L\/T: 10 \/ 11 \/ 0<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
53<\/td>\n<\/td>\n\n\n\n\n\n
Pixies<\/td>\n1987<\/td>\n<\/tr>\n
Surfer Rosa<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 406<\/td>\nW\/L\/T: 7 \/ 9 \/ 2<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
52<\/td>\n<\/td>\n\n\n\n\n\n
Yo La Tengo<\/td>\n<\/td>\n<\/tr>\n
Electr-O-Pura<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 415<\/td>\nW\/L\/T: 6 \/ 9 \/ 2<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
51<\/td>\n<\/td>\n\n\n\n\n\n
Gillian Welch<\/td>\n1996<\/td>\n<\/tr>\n
Revival<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 453<\/td>\nW\/L\/T: 6 \/ 10 \/ 1<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
50<\/td>\n<\/td>\n\n\n\n\n\n
The Cure<\/td>\n1981<\/td>\n<\/tr>\n
Faith<\/td>\n\n \t <\/a>\n <\/td>\n<\/tr>\n
Score: 453<\/td>\nW\/L\/T: 9 \/ 7 \/ 1<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Part two! There are a few albums this time around that are new to The List, which is nice. It's not just a reshuffling of things. I'm not dead yet. 74 Pink Floyd 1975 Wish You Were Here Score: 293 W\/L\/T: 5 \/ 14 \/ 0 73 REM 1987 Dead Letter Office Score: 294 W\/L\/T: […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[],"class_list":["post-23512","post","type-post","status-publish","format-standard","hentry","category-the-list-2016"],"_links":{"self":[{"href":"https:\/\/ok-cleek.com\/blogs\/index.php?rest_route=\/wp\/v2\/posts\/23512","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ok-cleek.com\/blogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ok-cleek.com\/blogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ok-cleek.com\/blogs\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ok-cleek.com\/blogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23512"}],"version-history":[{"count":2,"href":"https:\/\/ok-cleek.com\/blogs\/index.php?rest_route=\/wp\/v2\/posts\/23512\/revisions"}],"predecessor-version":[{"id":23523,"href":"https:\/\/ok-cleek.com\/blogs\/index.php?rest_route=\/wp\/v2\/posts\/23512\/revisions\/23523"}],"wp:attachment":[{"href":"https:\/\/ok-cleek.com\/blogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ok-cleek.com\/blogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23512"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ok-cleek.com\/blogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}