Monthly Archives: July 2006

Start Your iPods

Even though I'm in the middle of The Big List, which should be enough music for anyone, I'm going to carry on this tradition, damnit. And so, this week, the brand new iPod starts off with:

  1. White Stripes - We Are Gonna Be Friends - 4 stars
  2. David Bowie - Moonage Daydream. 4 stars
  3. The Breeders - Invisible Man. 3
  4. Belly - Dusted. 4
  5. White Stripes - I'm Lonely. 3
  6. The Breeders - I Just Wanna Get Along. 3.
  7. Thelonius Monk & Sonny Rollins - Nutty. 3
  8. Mudhoney - In n Out Of Grace. 4
  9. Led Zeppelin - Whole Lotta Love. 4
  10. Beck - Hell Yes. 3

Weird mix.

The List, 2006, #90-81

Arright. The first ten are done. Now we move into the eighties. As promised, we'll visit Chapel Hill, NC. But we'll also make stops in Boston, The Isle of Whight, LA, and other exotic locales.


90. Belly : Star (1993)


A classic early 90's alt-rock hit. It's bursting with great hooks and great songs. In a just world, Tanya Donnely would be a superstar and Madonna would be teaching aerobics at a retirement home. One of my bands worked hard to write a song that ended up sounding almost exactly like a song from this album. We played it anyway.

89. Yes : The Yes Album (1971)


Yeah, it's over the top in complexity and technicality - totally square. But, it's also the stuff I grew up listening to. My mother and her brothers were teenagers when this came out (yeah, I was around then), and they played it all the time. These are like old family photos, to me.

88. Son Volt : Trace (1995)


Straightforward, uncluttered, unaffected roots-rock songs, capped by the great Ron Wood song, Mystifies Me.

87. Grandaddy : The Sophtware Slump (2000)


It's futuristic and spacey, but with a warm gentle core. With the high, fragile vocals and grand orchestration of simple melodies, it has the same feel as a modern-era Flaming Lips record; and the electronic beeps and whistles remind me of the Apples In Stereo's spacey power-pop. But, it's done so well that it doesn't suffer from the comparison; they took the style and did something great with it. It's a shame I can't get into any of their other records, at all.

86. The Police : Zenyatta Mondatta (1980)


Andy Summers was one of my first guitar heros; Stewart Copeland was the first drummer that made any impression at all on me; Sting was a terrific songwriter; and this album gives great examples of all that. There are a couple of weak songs, but the playing is great all around, and the best of the songs are fantastic. A dorm favorite.

85. Violent Femmes : Violent Femmes (1983)


I can't imagine a better album to listen to when you're 18 and away from home for the first time. The singer sounds more nervous than you are and he's not getting the girl either; everyone in the room can sing along; you get to say "fuck"; you get to count to ten.

84. Superchunk : No Pocky For Kitty (1991)


Our first Chapel Hill stop. It's punk rock with a smile. It blazes through anthem after anthem: Skip Steps 1 & 3, Punch Me Harder, Seed Toss, Tie A Rope..., Throwing Things, etc. and makes you wanna sing along with all of them. My wife and I discovered Spoon at a Superchunk show - more about Spoon later.

83. Rolling Stones : Let It Bleed (1969)


Get rid of the threadbare You Can't Always Get What You Want and Country Honk (the silly sloppy acoustic version of Honky Tonk Woman), and you've got a really good 7-song EP of classic-era Stones, including one of my fav's, Midnight Rambler.

82. Robyn Hitchcock : Eye (1990)


This, the second R.H. album I ever bought, is an album of songs on acoustic guitar and piano. While solo acoustic guitar is pretty much his default (the five times I've seen him live, it's been just him and a guitar), this album is swimming in reverb and backing tracks, so it comes across dreamy and atmospheric, not just unplugged. The lyrics are pretty tough to decipher, as usual, but they seem to be a little more personal than previous records. I could be imagining that, though. He did a similar atmospheric-acoustic thing on "I Often Dream Of Trains", but the songs on "Eye" are a bit more intimate and less kooky than the earlier record.

81. Polvo : Cor-Crane Secret (1992)


Returning to Chapel Hill for one more stop. Swirling, buzzing guitars, complicated songs, a silght Middle Eastern tinge, and lyrics about... well, I don't really know what they're about - that's not the point of Polvo anyway. The important parts of Polvo are the math-rock song structures and the amazing way the two guitar players' distinct styles mesh throughout those structures. I was lucky enough to catch their last show ever, at the Cat's Cradle - the place was packed. In fact it was so packed that they did another show the next night and ruined my story.

Thus concludes part two, 90-81. Tune in again next time (Wednesday) when we'll visit sunny Cuba! El yay!

The List, 2006, #100-91

Paige, over at Flux-Rad just finished up a series of posts where she listed her favorite top 100 albums evar. And she did such a fine job of it, that I'm going to shamelessly, brazenly and completely, rip off the way she did it !

And so, without further addoo, here are the first ten, #100-91, of my 2006 Top 100 Favorite Albums Of All Time.


100. Soundgarden - Badmotorfinger (1991)


Let's kick this off with a bang. Loud and heavy, with those crazy time signatures, heavy heavy riffing, and Chris Cornell's amazing vocals. The first half of this is pure handbanging goodness. The second half gets a little tedious, but that's what the Eject button is for.

99. Jane's Addiction : Nothing's Shocking (1988)


I saw the Mountain Song video on MTV and was joyous - hair metal hadn't killed rock yet! Deep underground, some people were still making straightforward guitar-based music that didn't suck ! And then I heard the rest of the record and was all like ... "WTF? These guys are all over the place. This is even more fun than I expected! Yay!"

98. U2 : War (1983)


Sunday, Bloody Sunday has been played to death, but it's still the best track, with its martial, marching snare drum intro, to kick off this record. The rest of the songs continue that marching feel, in varying degrees, until finally giving way to the calm, raised-lighter ending of 40 - ahh, preach to me Bono. A couple of the songs are a bit weak, but the highlights are great.

97. Cowboy Junkies : Lay It Down (1996)


They stick to their trademark sound, but they turn up the volume on many of the songs, giving it a harder and even darker edge than their previous records.

96. Black Sabbath : Paranoid (1971)


War Pigs, Iron Man, Paranoid, Fairies Wear Boots. Yeah baby. It's almost a caricature now, but that's OK.

95. Alison Krauss & Union Station : Every Time You Say Goodbye (1992)


Wow, what a voice. And what a great bunch of songs. While I knew all the old bluegrass standards from my father, it wasn't until this album that I started paying attention to its current practitioners. Of course this isn't strictly old-time bluegrass, it's more of a pop/country/bluegrass hybrid. But whatever you call it, it's good stuff.

94. Pixies : Doolittle (1989)


Reminds me of my first summer off from college - this, The Sugarcubes, 10,000 Maniacs, The Cure's "Disintegration", The The's "Mindbomb", etc.. Here Comes Your Man is the song that introduced me to the Pixies, and I'll always be thankful.

93. Modest Mouse : The Moon & Antarctica (2000)


One of those bands that makes you think, when you hear them for the first time, "Wow. That's, err, different." Then you have to decide if you like it. Sometimes their nervous, scattered lo-fi energy is tough to take, especially their early records. But they tone down the skittishness on this one, and the major-label production is smooth and shiny, making this fairly accessible. I remember getting this one afternoon and not being able to stop listening to it, even as my wife stood by the door, tapping her foot, trying to get us to the restaurant in time for our anniversary dinner reservations. The fucking risotto can wait - he's singing about dogs!

92. The Cure : Standing On A Beach (1986)


This is the cassette version of their "Staring At The Sea" greatest hits collection. The reason I include this is not for the singles, but for the flip side of the tape, which is a great collection of B-sides. Though mostly from The Cure's darkest period, they're not quite as gloomy as the songs they back - which is probably why they didn't make the albums. They're quirky and unpolished, often goofy. One at a time as B-sides, they're probably pretty forgettable. But, when they're all together like this, they seem to work as a whole. They should've released them as an album, the way REM did with their B-sides and outtakes record, "Dead Letter Office". Up until 2004, and the release of their "Join The Dots" collection, the only place to find these altogether was on that cassette, so I went a long time without hearing them. Now that I have them on CD, I can build the album they wouldn't build for me.

91. Van Halen - Van Halen (1979)


I know this is totally uncool, but, what can I say. It's just a fun record. It's defintely VH's most consistent early record (they wouldn't stack an album anywhere nearly as full until "1984", David Lee Roth's final VH album - and even then, meh). But this is almost 100% great. Sure, they were over-the-top. But if you can believe that they were in on the joke and simply having fun with it all, you can have fun right along with them.

Stay tuned for the next thrilling installment, on Monday, where I will pay a visit to Chapel Hill, NC, circa 1992!

Service

I ordered a computer off Dell's website Monday morning, standard shipping. It was on my porch Wednesday when I got home from work. Wow.

I've ordered many Dells in the past, and they used to take weeks. Now I get it in two days. Again, wow.

Wh Th vs. the amateur linguist

Here's another little mental game I like to play. Take a look at this table:

Suffix Wh- Th- Assumed meaning of suffix
-en When Then time
-o/ou Who Thou person
-ere Where There place
-ence Whence Thence from a place
-at What That a non-specific object
-ich/is Which This a more-specific object

It should be obvious that "Wh-" is a prefix that asks a question: "when" = "what time?", "who" = "what person?" (forgive the semi-recursive definition); and "Th-" is a prefix that points to an answer: "there" = "that place", "then" = "that time". So, the game is to find a pair of Wh-/Th- words with a common suffix, and then figure out what the suffix meant in Old/Middle English. And, of course, you don't want to use a dictionary to do this.

So, are there any others? I've taken care of "who", "what", "where" and "when", but the other two big questions ("why" and "how") don't seem to have obvious "th-" complements. The "th-" answer to a "how" ("in what manner") question is never "thow", it's "thus". But, how do "how" and "thus" come together ? And what about "why" ?

Start Your iPods

This week we start with:

  1. Liz Phair - Shatter. 4 stars
  2. Beck - Farewell Ride. 3 stars
  3. Talking Heads - Animals (live). 2
  4. Moby Grape - Omaha. 3
  5. Spoon - vittorio e.. 3
  6. Billy Holiday - God Bless The Child. 2
  7. Thelonius Monk - Let's Cool One. 2
  8. Pink Floyd - Sheep. 4
  9. Belly - Feed The Tree. 4
  10. Big Star - Feel. 4

That's better.