Saw half of Bauhaus at the Cat’s Cradle last night. Billed as Peter Murphy celebrating 40 years of Bauhaus, it was Peter and bassist David J with two (very capable) guys handling drums and guitar. While I would have loved to see the brilliant original Bauhaus guitarist Daniel Ash, I’ll take what I can get.
First half of the set was the entire first album – Double Dare, Stigmata, St Vitus, Flat Field, etc.. Second half was everything else: Bela, Ziggy, Telegram Sam, etc. – everything I could hope for.
Peter Murphy has a cold and was a little raspy, but he is still utterly charismatic. No longer young enough to writhe around shirtless, he loomed and lorded over the stage. And David J held a stoic expression the whole time, while totally kicking ass with his fuzzed and furious fretless bass. As sometimes happens, it was one of those shows where seeing those songs played live showed just how much is going on in those songs, and how unique and inventive those guys were to come up with it in the first place. An amazing band, even with two subs (who I think were from Peter Murphy’s band) filling in.
Weirdest part, though, was watching very cool Peter Murphy play the very uncool melodica for three songs.
First opening band was Desert Mountain Tribe, who did a kind of motoric trancey three piece thing that felt like the next iteration of The Doors / Stooges / Cult. Good sound, we’ll done.
Second opener was Vinsantos, a drag queen, who did a cabaret style set of witty and melancholy tunes – just her and her piano. Really fun.
Four hours is a long time to stand in one spot.